Exiting his study off the sanctuary, Reverend Paul Ford mounted the pulpit. Perched high above his congregation, he looked down on them like a vulture eyeing his prey or like a judge about to pronounce sentence on the guilty. His deep, baritone voice boomed and echoed throughout the church like thunder. Lacking compassion, fear reverberated throughout the congregants; even the chandelier shook when he spoke. Seeing the worst in his members, all he seemed to encounter was jealousy, scandals, and backbiting. Unleashing the wrath of God, as he tapped into their greatest fears, he led the church to the edge of hell’s fires declaring, “Death comes unexpectantly!”
“And now he will deal with you. Now the great King of Heaven and Earth will abolish and annihilate this pride! Will crush the hardened wretch of the polluted infinite abomination, and rain on him a deluge of fire and brimstone! And where is their strength, then? Where are the great leviathans who defied God, then? Where is their courage, these proud spirits? Yes . . . Death comes unexpectedly.“*
The irony is clear enough. Reverend Ford preached about arrogant pride never realizing that he himself was struggling with the very same sin. For the Reverend the condescending barriers kept him from his church. He believed that since he only had his people in church for one day, he had to inoculate them against the other six days of exposure to sin. His inoculation, instead of offering himself to them, was to bring the fires of hell closer to them. He preached without tears because his heart was far from the people he ministered to, evident that while the church was worshiping, the Reverend secluded himself to his study. In his haughtiness he looked down on them, not just physically, but spiritually as well. Ultimately, his harsh words, instead of broken tears, reflected the depth of love – or lack thereof – he had for the church.
Around 1980 a ten-year-old-boy claimed his fifteen minutes of fame by embracing the street preacher persona at school. He dressed in a suit, held a big black Bible, and quoted Scriptures at the top of his lungs. Talk show hosts like Oprah, Larry King, and Salley Jesse Rafael lured him and his parents onto their program and sold tickets to the audience like he was a freak show for their carnival. Raised in North Carolina, and fearful of the public school’s influence on racial integration, evolution, and sex education, the boy began standing outside his school and shouting Scriptures he had memorized to his fellow students. Without offering either exposition or hope, he quoted Scriptures underscoring condemnation and hell’s fires.
Multiple problems arose from this situation. Not only parents allowing their son to be exposed to such national scrutiny, but also adults finding a warped venue of entertainment to generate an audience to fuel the greed for television ratings. More so is the caricature of the preacher who pronounces condemning judgment on his people without first identifying with them or showing any signs of compassion. In short, he shed no tears over the sins of the people he was preaching to.
Jonah was a great prophet, but he was no role model for preachers. He was called to preach to his nation’s enemies, but his national loyalties were stronger than his obedience to God. He ran away, until he could run no farther. God re-sent him to Nineveh. When he finally showed up, he gave a powerfully simple sermon, “You have forty days to repent!” (Jon. 3:4). A short, effective sermon preached over and over that omitted hope mixed with the grace and mercy of God. Still, repent the people of Nineveh did. And when God relented by showing compassion, grace, and mercy, Jonah fumed. He wanted them to burn. He envisioned how it would end. He hoped their nation would fall at the hand of God. He planned their punishment with courtside seats for the event. Jonah lacked tearful compassion, and as God pointed out to him, Jonah cared more about his own selfish needs than he did for the people he was trying to save.
George Younce was the bass singer and frontman for Southern Gospel’s premier group, The Cathedral Quartet. With a sense of humor and comedic timing, George put the audience at ease. He and the other members of the group created a relaxed atmosphere so that their beautiful singing and harmonies might disable any resistance to the Gospel message communicated to the audience during the concert. Laughter was at the heart of George, but so were the tears he shed as he confessed, “When the eyes leak, the head won’t swell.”
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Paul wrote a letter between what we know of as 1 & 2 Corinthians. While we do not know the contents of the letter – that letter is lost – we know it addressed the incident which he calls a “painful visit” (2 Cor. 2:1). At that visit he was rejected by the church, and essentially “run out of town.” In Paul’s letter he had to address the situation as it was getting out of hand. The antagonists were amid a hostile take-over of the church, and Paul was on the outs. He wrote them, and he spoke openly, honestly, and harshly to them causing them to grieve (2:2). Unlike others, Paul took no pleasure in writing such a letter. Even more, the words of the letter were expressed through great distress and many tears (v. 4). Paul wept while writing them. Where Paul wanted to brag and find confidence in the church (v. 3), they forced him to take the trail of tears, and as he walked that trail, grief accompanied his journey until he finally heard from Titus. Finally (7:7). Only then did he know that the deep love he had for them was finally reciprocated, showing that love is best expressed through tears, not harsh words.
Until the mid-1990’s I always pictured Jesus as bringing the hammer to the Pharisees when he delivered the seven woes (Mt. 23). Occurring during the final week of his life, after Jesus was grilled by his adversaries but before his prediction of Jerusalem’s fall, it seemed like a perfect time for Jesus to unload on the Pharisees with both guns blazing. He let them have it, while I always pictured myself standing behind Jesus and not in front of him. I viewed myself as teammates with Jesus and I was always on his side. Always. But in the 1990’s Bruce Marchiano played Jesus in the Visual Bible on Matthew. Bruce brought an emotive side of Jesus as one who smiled and laughed with the people. Watching his portrayal of Jesus made one believe that God really did love humanity, and even found joy in being human. So when Bruce reached the seven woes in Matthew 23, he portrayed Jesus not as one who had a hammer to break the Pharisees, but as a Savior who was broken by pronouncing the woes. As his Jesus begins the first woe, his voice began to crack and its crescendo is felt through the last three woes when he proclaimed them through broken tears. The dams broke and broke hard. Such an interpretation makes sense as Jesus concludes the seven woes with his lament,
“O Jerusalem, Jerusalem, you who killed the prophets and stone those sent to you, how often I have longed to gather your children together, as a hen gathers her chicks under her wings, but you were not willing” (Mt. 23:37).
The first time I watched this scene my pride was broken. I no longer saw myself standing behind Jesus, but in front of him as if the tearful broken heart of Jesus was directed at me.
Out in a field, Reverend Paul Ford was rehearsing his Sunday sermon. Little Pollyanna delivered a message to him from her aunt. Reverend Ford was too busy to be disturbed by this little girl, but Pollyanna was too naïve to realize who she was up against. Wanting to dismiss her, she lured him into a conversation by asking if he was glad that he was a preacher. Glad. Her father was a minister who felt like his congregation tuned him out. Not surprisingly, Ford felt the same way. Coming closer to her, he asked if her father ever solved the dilemma. He did, she replied, when he read a quote from Abraham Lincoln which said, “When you look for the bad in mankind expecting to find it, you surely will.” Intrigued, Ford had taken the bait and Pollyanna reeled him in by bringing attention to the 800 glad passages in the Bible like “Rejoice and be glad,” or “Shout for joy,” or “The joy of the Lord is my strength.” She snatched his heart when she innocently said, quoting her father, “If God took all the time to tell us 800 times to rejoice and be glad, then he must have wanted us to do it.” Pollyanna left the Reverend holding the words in his heart.
The next Sunday as Reverend Ford mounted the pulpit, he chose not to be the voice of God, but he found his own voice in confessional tones. His pride was broken. Convicted, he decided to spend more time on the 800 glad passages and to share those passages in his sermons. His deepest regret was his failure to sit and to spend his time with the church as a fellow struggler against sin, for the true way to inoculate people against sin is to walk and sit with them.
What Reverend Ford finally realized was the depth of love is never measured in the harsh words we speak, but in the broken tears we shed for one another.
Soli Deo Gloria!
(i.e., only God is glorified!)
* Pollyanna is a 1960 movie by Disney, with Haley Mills as Pollyanna and Karl Malden as the Reverend Paul Ford. This script was lifted from www.insearchofthesinglechristian.blogspot.com from 2011. Accessed 2-19-24.